“Aurora means “dawn.” When the princess enters, she comes like a sunburst — flooding the stage with beauty, charm and pre-adult energy.”
– Alastair Macaulay on the role of Aurora, Meet Aurora of ‘The Sleeping Beauty’: Her Native Language Is Classical Ballet, The New York Times, February 8, 2017
Oh, I love this description of New York City Ballet’s Tiler Peck… ❤
“Peck brings an unbridled passion to Who Cares?, especially in the monstrously difficult, vivacious solo to Fascinatin’ Rhythm. Apropos, Peck’s rhythm is fierce and on form. She is the overcaffeinated Balanchine dancer: ebullient but never untidy. In the finale, she stretches balances to the last millisecond, filling the music without ever being off time–something one more readily expects in Swan Lake than a Gershwin ballet. Peck is all the better for it, flaunting the piece as the work of Olympian athleticism and whirlwind musicality that it should be.”
– Lauren Gallagher “New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York“
Tiler Peck’s Fascinatin’ Rhythm solo…
Natalia Osipova’s Odette variation from Swan Lake is probably my favorite among the versions I’ve seen so far. What a difference the extra holds in her balances make! I also admire the wholehearted abandon with which she fills this character, it’s a fascinating contrast to the reserve and elusiveness in many interpretations of Odette.