Ouch. Ouch. Ouch. I need an ice pack just thinking about this…
A ballet barre from the 1820s:
“48 pliésfollowed by 128 grand battement, 96 petit battementglissé, 128 ronds de jambes sur terre and 128 en l’air, and ending finally with 128 petit battement sur le cou-de-pied. One inevitable consequence of this extreme training was a sharp rise in injuries.”
What does George Balanchine’s term “Gisellitis” mean?
Robert Greskovic writes:
“Some observers choose to apply the word soft to ballet from the Romantic era. It’s not an inappropriate distinction, but it can be a trap, leading in the extreme (of both expectation and execution) to a limpness and/or droopiness that borders on the absurd. (Balanchine scoffed at a certain lugubriousness around the Old World ballet, and even created the term Gisellitis to describe the “disease”).”