What does George Balanchine’s term “Gisellitis” mean?
Robert Greskovic writes:
“Some observers choose to apply the word soft to ballet from the Romantic era. It’s not an inappropriate distinction, but it can be a trap, leading in the extreme (of both expectation and execution) to a limpness and/or droopiness that borders on the absurd. (Balanchine scoffed at a certain lugubriousness around the Old World ballet, and even created the term Gisellitis to describe the “disease”).”